The Gnomon Workshop

Futuristic Set Design with James Clyne

Conceptual Environments for Feature Film Production

Description

In this first of three titles in a series, James will cover a wide range of Adobe Photoshop® techniques that he uses as a concept designer in the feature film industry. Focusing on the subject of futuristic architectural landscapes, James starts with a blank page and quickly delves right into such topics as sketch ideation directly in Photoshop® and blocking in a dynamic composition. Setting itself apart from other concept art techniques, this title concentrates heavily on the smooth integration of photo reference and high-end conceptualization ideas, or what James terms "Photoshop® kit bashing", blurring the line between photo and ideation rendering. Subjects such as Photoshop® layer properties, creating custom brushes, and developing architectural concepts are also covered.


Duration: 157 minutes

Format: SD 1024x768

IMAGE GALLERY

  • Futuristic Set Design with James Clyne
  • Futuristic Set Design with James Clyne
  • Futuristic Set Design with James Clyne
  • Futuristic Set Design with James Clyne
  • Futuristic Set Design with James Clyne
  • Futuristic Set Design with James Clyne
  • Futuristic Set Design with James Clyne
  • Futuristic Set Design with James Clyne

James Clyne

Design Supervisor, Lucasfilm

James Clyne has worked as a film industry artist for well over a decade. James studied fine art at UC Santa Barbara where he focused on oil painting and photography. He was inspired by master painters and the power of light through a lens. He went on to Art Center where he learned automotive, industrial and film production design. There he was introduced to the work of Raymond Lowey, Pininfarina and, of course, Syd Mead. Since then, James has collaborated on well over thirty film projects. The highlights include working with Steven Spielberg on a number of projects in various capacities related to visualization. On A.I. and Minority Report James not only designed specific production assets but also created imagery that was used to inform the look of the movies through the relationship between light and emotion. James was also the Production Designer on an animated feature in 2008, Tusker, a magical film about a tribe of Indian Elephants. In 2011, James was selected by Steven Spielberg to put together an art team for the development of a television series. James has also worked with James Cameron on Avatar and Battle Angel, JJ Abrams on both Star Trek films, Robert Zemeckis, as well as projects with Michael Bay, Darren Aronofsky, and Terry Gilliam, to name a few. In 2013, James joined the ILM Art Department and was given the opportunity to work on the newly developed Star Wars feature film franchise. After working on The Force Awakens and The Last Jedi, James is now the Lucasfilm Design Supervisor on the new Solo, A Star Wars Story film. He currently resides with his family in San Rafael, California.


  • "James Clyne is a master when it comes to translating his inner worlds of gigantic structures and machines. His smart construction approach, based on a very open abstract process, gives to his productions a very original feel unseen anywhere else. He is an artist which has recreated a new sci-fi vocabulary with an amazing precision and talent."

    - Sparth
    Concept designer / illustrator